I have been to outdoor theatre
venues before, symphonies and operas, never for plays. It was an interesting
production of Anton Chekhov’s Seagull. My
exposure to Chekhov’s literature has been minimal. I have been casted in one of
his other plays, The Cherry Orchard. From
my exposure before seeing Seagull, I
have found that Chekhov isn’t one of my favorites. It’s difficult to produce
his plays. At face value they appear as tragedies with funny moments
highlighted with over the top dialogue and characters. In fact, his plays were
never written to be tragedies, but comedies.
I was quite surprised with this
production. The outdoor venue played very well with the rural setting. More
importantly it was funny. I finally saw a Chekhov that was funny.
Unfortunately, this production could be caricaturized like The Good, The Bad,
and The Ugly except with: The Actors, The Director, and The Sound Designers (in
said order). The director did very well creating a picturesque experience.
Matthew Dunster, the Director, knew what he wanted from the cast and the cast,
as a whole knew how to achieve their goals with his directions. The production
had some very interesting takes on design. All of was perfect except the BLOODY
Sound Designer! Forget about the outside being distracting (the setting of the
play was more less outside), this designer was the distraction. Everything
would be going perfect except the designer’s soundtrack would disrupt the
scene. The designer would use a loud and long bass sound in selected moment. I
have no idea why. First I thought it was supposed to show conflict, and then I
guessed it was foreshadowing actions in the story arch, and then the same track
was used for scene transitions. I have no clue why this designer chose this
track. I am quite soured about that one little facet of the production. With
out it or if other track where selected like a deep cello solo would have been
great. It is unfortunate that one detail could derail an entire performance. I guess you win some and you lose some.
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